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Sreedevi
- Rate L86
- Response 1h
L86/hr
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Certified Bharathanatyam teacher with four years of experience, we will make you a professional dancer
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About Sreedevi
I am a dancer. I teach bharathanatyam . Now iam studying mohiniyattam (classical dance of kerala).Bharatanatyam content some types of banis. Bani, or tradition, is a term used to describe the dance technique and style specific to the guru/school. These are named according to the village of the guru (with the exception of some banis). Bharatanatyam style is noted for its fixed upper torso, bent legs and knees flexed (Aramandi) combined with spectacular footwork, and a sophisticated vocabulary of sign language based on gestures of hands, eyes, and face muscles.[8] The dance is accompanied by music and a singer, and typically the dancer's guru is present as the Nattuvanar, director, and conductor of the performance and art.[1] The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts.[4] The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance).[4][10]
Bharatanatyam remained exclusive to Hindu temples through the 19th century.[8] It was banned by the colonial British government in 1910,[11] but the Indian community protested against the ban and expanded it outside the temples in the 20th century.[8][11][12] Modern stage productions of Bharatanatyam has been spread out and popular throughout India that has been done in different ways and have incorporated technical performances, pure dance based on non-religious ideas and fusion themes.[5][8]
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First of all you need to start study the basics to get balance. The traditional Bharatanatyam performance follows a seven-part order of presentation. This set is called margamThe communication through symbols is in the form of expressive gestures and pantomime set to music. The gestures and facial expressions convey the ras (sentiment, emotional taste) and bhava (mood) of the underlying story.[84] In the Hindu texts on dance, the dancer successfully expresses the spiritual ideas by paying attention to four aspects of a performance: Angika (gestures and body language), Vachika (song, recitation, music and rhythm), Aharya (stage setting, costume, make up, jewelry), and Sattvika (artist's mental disposition and emotional connection with the story and audience, wherein the artist's inner and outer state resonates).[84] Abhinaya draws out the bhava (mood, psychological states).
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Rates
Rate
- L86
Pack prices
- 5h: L120
- 10h: L343
online
- L86/h
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